Showing posts with label The Nation. Show all posts
Showing posts with label The Nation. Show all posts

Saturday, August 28, 2010

Art science?



I am not an art historian, nor do I play one on TV, but I have enough hubris to offer the following note about a recent visit to the MOMA to see the exhibit, "Matisse: Radical Invention."

The focus of the show is on paintings that Matisse made between 1913 and 1917 and that were received poorly at the time. The exhibition offers an argument for how and why the paintings were "radical invention" in their time, marking new direction not only in Matisse's work, but also the work of other painters.

What especially interested StraightMan and me was that this re-interpretation of the paintings is based in part on the use of imaging technologies (like X-ray) to trace - or rather, reconstruct - Matisse's process. What did he do to make these paintings, and what likely was he thinking about when he made particular choices (including repainting portions of his canvases)?

As cultural anthropologists, we are partial to "process." It is also a radical invention itself, I think, to apply imaging technologies to "art." Yet, I also wonder whether or not this might be another sign of the "scientization" or "technologization" of yet another arena of thought and experience.

I am not for mystifying art as ahistorical "genius" - I find explanations of literature and art in terms of their structures to be robust: I am not alone in thinking that Pride and Prejudice is interesting not because of the players, but because of the rules of the game itself.

Yet, I also wonder at the significance with which imaging technologies are greeted as giving us the "truth" about Matisse.

***

Pet peeve: Museum goers, put down the phones and the devices transmitting your "audio tour," and just look at what is in front of you.

Because this is what I feel that you are missing, as described by short story writer Deborah Eisenberg (whose Collected Stories is reviewed in the August 16 / 23 issue of The Nation):

Looking at a painting takes a certain composure, a certain resolve, but when you really do look at one it can be like a door swinging open, a sensation, however brief, of vaulting freedom. It's as if, for a moment, you were a different person, with different eyes and different capacities and a different history - a sensation, really, that's a lot like hope.

Tuesday, July 20, 2010

Language matters



StraightMan was devasted by the following post on The Chicago Manual of Style's Facebook wall:

CMOS 16 Sneak Peek: In author-date citations in reference lists, put article titles in quotation marks and use headline capitalization. With this change, the two systems of Chicago documentation (author-date and notes-bibliography) become easier to learn and use, since the stylings of elements will be the same in both systems. Only the order of the elements varies, as before.


In fact, he just had spent part of his morning "fixing" the citations in an article that he has been writing. We have a CMOS 15 on our shelf. The purchase of which we invested $55 during the writing of my dissertation. It is a little disconcerting to think that it might be obsolete: I thought good style never went out of fashion?

***

Is it just me or does there seem to be a growing interest in linguistic concerns? Arguably, language and all its uses and effects matter all the more with the use of technologies and social media, like the Internet and Facebook. The fact that the folks at CMOS are hip on Facebook seems to prove this point. Also, the point that a lot of people who engage in writing for at least some part of their day are spending too much time on Facebook - 9,508 people "like" CMOS.

In addition to the revival of the On Language column in The New York Times Sunday Magazine, a blog on language has been introduced on The Economist's Web site. It is called "Johnson," which no doubt causes much snickering in certain quarters, but which the blogger helpfully reminds us is named for dictionary-maker Samuel Johnson. Were The Economist based in the U.S., it might have been called "Webster." (See above.) I esp. like Johnson's reaction to Sarah Palin's "refudiation" of critics of her inventing the term "refudiate."

Much as I enjoy them, however, these erudite essays cannot be all there is to press coverage of language matters.

Language is the news. In the early days of the Iraq invasion, the need for Arabic specialists was much discussed - the college where I teach is in the process now of developing a minor in Arabic, which students themselves are demanding. The proposition to make English the nation's "official" language has been afoot for some time, but there seems to be renewed attention to the English-only movement, esp. with anti-immigrant legislation in Arizona.

A critical point that I tried to make in my linguistic anthropology class is that no language is inherently better or worse than any other for human communication: French is not more beautiful than German. Arabic and Chinese are not in any objective sense the hardest to learn in the world. The dominance of English results not from some kind of linguistic superiority - for example, it is argued that it is more efficient and therefore a better language for science and technology - but from processes of standardization and planning, which continue today.

It is interesting to consider how the "policing" of language works. It is for this reason that I feel as half-hearted about so much talk about Palin or George W. Bush before her: You say plain talk, I say linguistic gaffe. Is plain talk really plain? Or is it the appearance of being plain? Who among us does not commit such gaffes? Can a person's proper or improper use of language really tell us all that about him or her? What is proper and improper use of language in the first place?

More important, what are the stakes involved here? Now we have ventured into assumptions about what language is all about - and they need to be examined.

I wonder whether or not leaving language matters in the hands of the pointy heads in fact might trivialize their significance and more importantly, deflect attention from the consequences for We the People in our everyday lives.

There seems to be a need today for linguistic journalism, along the lines of science journalism, to help interpret what everyone is talking about, from so-called political correctness to Palinisms and back again.

***

On a related note, Lexington's column in the July 15th issue of The Economist offers the immodest proposal of banning the use of "great" and "exceptional" (and their variants) in political speeches in the U.S.:

Just think what a relief it will be, once Lexington’s ban comes into force, to be able to debate the role of government on its merits, without bringing providence into it.

The ban will also liberate America’s politicians to speak like normal people. At present, failing to lard their speeches with God and greatness can get them into serious trouble.


For me, another reason to like Lexington - aside from the quaint and lovely practice of having an individual assume the column's identity (versus the column assuming an individual's identity - is his? / her? assessment of David Brooks, a columnist whom I love to dislike:

In 1997 David Brooks, writing then for the Weekly Standard and now at the New York Times, wrote an essay called “A Return to National Greatness”, complaining that America had abandoned high public aspiration and become preoccupied with “the narrower concerns of private life”. It almost doesn’t matter what great task government sets for itself, Mr Brooks said, “as long as it does some tangible thing with energy and effectiveness”.

If that was ever good advice, it is rotten advice now. Americans are not unhappy because they lack an energetic government; many think Mr Obama’s administration too energetic by half. The last thing the country needs is to be distracted from its practical problems by the quest for an elusive greatness. Put such language away, says Lexington. America is indeed a great and exceptional country. But it isn’t talking about it that makes it so.

Monday, July 19, 2010

Bits of inspiration



I am writing this post on the spanking new iMac in my campus office. The screen is about as large as our TV at home! Which might say as much about the smallness of our TV as the largeness of my new iMac, but in fact, I am trying to make a point about the latter. I find myself sitting back in my desk chair b/c the sheer magnitude of the screen is causing me horizontal vertigo. See the above.

Otherwise, I am continuing work on my syllabi and on this Monday morning, not feeling esp. interesting or interested. Sigh. So, I am looking to others for bits of inspiration:

StraightMan claims that Katha Pollitt's column by itself is worth the price of our subscription to The Nation. Which is why I tell Beanie that when she grows up, she could do a lot worse than finding a partner who is a lot like her daddy - and why I want to raise Bubbie to be that kind of man. In her most recent column, Katha takes on the latent (and sometimes overt) hostility to women and girls in current media coverage on the so-called end of men.

Ooh, look! Goodies for feminist mothers or mothering feminists, whichever we choose to refer to ourselves. I kind of regard this like a box of chocolate truffles - I am thinking about each title and which one to sample...

free range kids published an interesting post on the prevalence of the sand table in pre-school America. As an anthropologist, I appreciate the material culture approach that is demonstrated here - take an object that we might take for granted in the pre school classroom, consider its history, and uncover the ideas and practices that we rarely make explicit.

Finally, here is proof again that the fake news is better at telling us what really is going on, from America's finest new source. Sitting here at my new iMac, all I can say is that I believe, I believe, I believe... Sucker.

Friday, July 9, 2010

What you can learn from books * and * reviews

David Brooks: How I love to dislike him. He will start with an observation that makes sense to me - then blow it. Like in today's column, "The Medium Is the Medium."

Brooks begins the column by reporting on a study that found that disadvantaged kids who received books at the end of the school year - in other words, the kids typically affected by "summer slide" as measured in tests and grades - maintained higher reading scores than the kids who received no books. The results held even when they did not read the books. How and why? Here is the bit of sense:

But there was one interesting observation made by a philanthropist who gives books to disadvantaged kids. It’s not the physical presence of the books that produces the biggest impact, she suggested. It’s the change in the way the students see themselves as they build a home library. They see themselves as readers, as members of a different group.


After this point is when Brooks blew it, at least for me.

I do not disagree entirely with the observations underlying a statement like this: "The Internet culture may produce better conversationalists, but the literary culture still produces better students." I teach college students, and I lament the fact every single day that too many of them are not better readers. I believe that were they better readers of books, they also might be better citizens and - gasp - better users of the Internet.

However. Brooks' exposition on the "culture" of the book versus the "culture" of the Internet makes me cranky as an anthropologist. Here again, "culture" or rather "cultures" become talked about as bounded and singular and consistent. Books and the Internet emerge from and coexist (and might or might not compete) in what we might call the one and the same "culture." In a book that I currently am perusing, A Better Pencil: Readers, Writers, and the Digital Revolution, linguist Dennis Baron reminds us:

The World Wide Web wasn't the first innovation in communication to draw some initial skepticism. Writing itself was the target of one early critic. Plato warned that writing would weaken memory, but he was more concerned that written words - mere shadows of speech - couldn't adequately represent meaning. His objections paled as more and more people began to structure their lives around handwritten documents (Baron 2009:x).


"Culture," and history, aside, Brooks' description of books as representing "a hierarchical universe" with "classic works of literature at the top and beach reading at the bottom" is exactly not the buzz that reading deserves or requires, esp. for the disadvantaged kids who likely already understand themselves as the beach reading of society.

His primary objection to the Internet is this:

Internet culture is egalitarian. The young are more accomplished than the old. The new media is supposedly savvier than the old media. The dominant activity is free-wheeling, disrespectful, antiauthority disputation.


I have to wonder whether or not Brooks has any self-awareness of his own position in the old media - on the "important" and "prestigious" editorial page of the Gray Lady - because this sounds like his own crankiness as a columnist in a snit about the respect that he believe he should be shown?

However. Now I have placed my own snittiness on display.

I do not think there is anything inherently anarchical about the Internet. (In its own ways, it is also hierarchical.) It is a technology, like books are a technology, and it is what we make it to be.

***

While there might be nothing like reading Brooks to raise your (my) ire in the am, but I esp. learned much from reading this recent essay on "The Death and Life of the Book Review" in the June 21 issue of The Nation.

In it, John Palattella considers the past and present state of newspaper journalism and of the book review in particular:

Claims that books sections are eliminated or downsized because they can't earn their keep are bogus. It is indisputable that newspapers have been weakened by hard times and a major technological shift in the dissemination of news; it is not indisputable that newspaper books coverage has suffered for the same reasons. The book beat has been gutted primarily by cultural forces, not economic ones, and the most implacable of those forces lies within rather than outside the newsroom. It is not iPads or the Internet but the anti-intellectual ethos of newspapers themselves.

.... In a news context, "anti-intellectual" does not necessarily mean an antipathy to ideas, though it can mean that too. I use the word "anti-intellectual" to describe a suspicion of ideas not gleaned from reporting and a lack of interest in ideas that are not utterly topical.


So, in Palattella's perspective, there is more at stake in book reviews than a particular book or even books and reading at large. As, dare I even suggest, Brooks also contends, it is "culture" and history.

Thursday, July 8, 2010

Learn from book reviews, Part Tres



Pain in childbirth had been considered inevitable until the 19th century, when chloroform came into more common use during labor. Donald Caton, an anesthesiologist, wrote a history on the use of anesthesia and analgesia titled, What a Blessing She Had Chloroform, itself a declaration attributed to Queen Victoria.

Interestingly, the idea that childbirth need not be painful also spurred others to consider alternatives to medication, which itself presented problems, not the least of which included serious side effects and consequences for women's own experiences of childbirth. An early proponent of "natural" childbirth in the mid 20th century was Grantly Dick-Read, an obstetrician who cited examples of painless "primitive" birth from late 19th century anthropology in his book, Childbirth without Fear.

This story has been told before, but a book review in the May 31 issue of The Nation suggests another dimension that seems well worth exploring. The review, by Paula Findlen, discusses Richard Holmes' The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science. As Findlen explains:

The objective developments in science of the preceding century gave way to subjective reflection about the meaning of understanding nature. Poets such as Wordsworth, Coleridge and Keats marveled at the new vision of the world wrought by science. At the same time, the British astronomers, naturalists, chemists and experimenters of their generation developed a conception of the world that was, in its own way, profoundly poetic.


One of the developments of Romantic science was nitrous oxide:

In spring 1799, Humphrey Davy invited a circle of friends to experience the giddy effects of laughing gas. He was inspired enough to write a poem about it. Davy's celebrated self-experiment, in which he inhaled six quarts of N2O on May 5, 1799, led to a loss of consciousness, feeling and memory.... The psychosomatic effects (to borrow Coleridge's term) of Davy's discovery fascinated his contemporaries. He invented a new pleasure for which they had no name.

If Romanticism began as an exploration of the enhancement of the senses, at the height of its success it grappled with the novel sensation of feeling nothing at all.


It makes me wonder what we want today - to feel more or to feel less or both at the same time - and what that means.

Tuesday, July 6, 2010

What you can learn from book reviews

During both the six-hour flight there and back, StraightMan sat across the aisle from me, with the two kiddos and a portable DVD player. (Mind you, he owed me, after three weeks away at his NEH seminar...) This allowed me the luxury of catching up on back issues of two of my weekly reads, plus reading half of a novel on my kindle. I just finished The Girl with the Dragon Tattoo last night, and this afternoon downloaded The Girl who Played with Fire, which by all accounts is even better. Both Dragon Tattoo and Played with Fire are page-turners, with commentaries on financial journalism, Swedish society and politics, and gender, which become issued as blocks of discourse from the mouths of the characters. Rather awkward, but the commentaries themselves can be interesting. As a lapsed fictionista who has worked in journalism, I admit that I am hooked. The books are a bit of change, too, from my usual fare in non-fiction.

I admit that sometimes I never bother reading the books themselves, but I enjoy reading the reviews of them: Not just thumbs up or thumbs down, but essays that contextualize the book and its subject matter and the author's approach, or read them alongside other books. I sometimes feel that academic journals ought to look more to The New Yorker and The Nation for models on the kinds of book reviews that they themselves might publish.

In fact, The Nation published a cover story, "The Death and Life of the Book Review," in its June 21 issue (which I have not finished reading), which suggests that the state of the book review today is linked not only to the Internet and the book publishing industry, but also the future of newspaper journalism. It seems also to me that the significance of the book review today is that it is arguably one of the few remaining public outlets of ideas - not as punditry or man-on-the-street opining, but to paraphrase The Nation, with "scrutiny, the deliberate, measured analysis of literary and intellectual questions without obvious or easy answers."

Which brings me to something I learned from a book review in the May 10 issue of The Nation: A review of two books about the conservation movement, its origins and its present, one being Mark Barrow's Nature's Ghosts: Confronting Extinction from the Age of Jefferson to the Age of Ecology, and the other being Caroline Fraser's Rewilding the World: Dispatches from the Conservation Revolution.

I confess that I am considerably less interested in the latter than the former, being skeptical, even cynical, about naive do-goodism, of which the title smacks. Indeed, the review confirms that I am not wrong: Do-gooders especially ought not to be naive, especially about their history.

The review begins with a vignette, borrowed from Barrow, about Thomas Jefferson's scientific and philosophical interest in the woolly mammoth, which he believed had not become extinct, but survived somewhere beyond, possibly in the American West: "For Jefferson the patriot, America's natural advantages counterbalanced Europe's prodigious cultural patrimony. So in picking a fight with the Old World, he no doubt found it prudent to recruit a massive beast like the mammoth to his side." So, the reviewer, Ari Kelman, introduces us to the political history of American conservation efforts, in particular endangered species protection, which Barrow traces in his book through the 1970's. "This high-water mark lingered until the mid 1990's, when Congress, under Newt Gingrich, began rolling back environmental regulations."

Part of the history is the embrace of animals (albeit endangered) simultaneous with the rejection of other people. Kelman notes Barrow's examination of naturalists at the turn of the 20th century, a number of whom were interested in "positive eugenics" and drew parallels between the fate of animals and of people:

For many concerned onlookers, steeped in Jeffersonian and Turnerian intellectual currents, the West served as a synecdoche for the United States, and the imperiled bison served as a synecdoche for the West. If the rugged bison died out, then so too, they worried, might America, a nation they felt was being feminized by an economy that alienated workers from the land; radicalized by labor activists preaching class warfare in exploding cities; and mongrelized by ostensibly unassimilable immigrants (Catholics, Asians and Jews).


In 1886, the response, as Kelman describes, was to "embark on a scientific expedition to shoot or capture some of the remaining beasts." The bison were treated not much differently than the human population of the Great Plains - hunted first, then "saved" and collected. It is worth remembering that salvage anthropology, as well as salvage zoology, was practiced at this time in history.

Others better versed than I might be familiar already with this history. As a novice, I think as often as not, such causes as endangered species protection become presented as self-evident: Ethical and moral values that are irrefutable in any time and place. So, I think it is significant to be reminded that the sentiments now rallied around extinction and conservation themselves have histories. Knowing these histories, and making them known, will not undermine the impulse - to create the kind of nature that we think we ought to have - but hopefully lead to asking the questions that ought to be asked and producing better-informed answers.

If, indeed, the continuance of species is at stake, then it seems to me that we need to take the long view, both into the future and the past.

Monday, June 7, 2010

Another reason that we need Katha Pollitt

Just read Katha Pollitt's column, "Veil of Fears," in the June 14th issue of The Nation. About the ongoing controversy in Europe, in particular France and now Belgium, surrounding the proposed banning of face-veiling. In which she both writes against the ban and also admits:

I don't like face-veiling either. It negates the individual; it reduces women to sex objects who must be shrouded to avoid tempting men; it sends the message that men's "honor" resides in the bodies of "their" women. In a conflict between women and fundamentalists, including the fundamentalists in their own families, I would want to side with women, on dress as in other issues of personal freedom. Yet while the French Parliamentary Report on the Wearing of the Full Veil nodded frequently to "French values" and gender equality, it isn't obvious how criminalizing Muslim women's clothing makes them more equal - unless you believe that they are being forced to cover by male relatives or increasingly fundamentalist communities.

This takes seriously the idea that veiling allows conservative Muslim women both to follow the custom of (gendered) seclusion and enable them to work, learn, and even play in public. It unpacks what structures the apparent need for veiling. Which by the way is practiced in Judaism and Christianity.

It also points to the fact that at least some women are choosing to wear the veil. The Nation and The Economist, which also published a report in its May 15th issue, both note the relatively small numbers of women who cover their faces (much less wear the full-body burqa) in France and in Belgium. The Economist notes they include converts to Islam and in France, women from North Africa "where there is no face-covering tradition." They also are young.

So, what is going on? The motivations of Nicolas Sarkozy and other political leader seem clear, but what is less clear is why face-veiling, though in still relatively small numbers, is being adopted as, basically, a new tradition. I think that this is a significant point to bear in mind because there is a way in which face-veiling is depicted in American (and European) media as an ethnic and primeval custom of Islam, conflated with equally essentialist notions about jihad and terrorism and the Clash of Civilizations and so on.

When instead we might look a lot closer to home to find the conditions that make face-veiling seem appealing, attractive, even necessary to choose. Pollitt closes her column with a reference to a study at Stanford and the Sorbonne that suggests not "ethnic" (e.g., anti-Arab), but religious (e.g., anti-Muslim) discrimination in France: Identical resumes were created for three fictional women, whose names suggested an ethnic French, a Senegalese Christian, and a Senegalese Muslim woman. "Aurelie did only a little better than Marie, but she got three times the callbacks of Khadija."

I think most of my college students might suggest that Khadija should change her name to Aurelie or Marie. The imperative to assimilate is strong in the United States. Yet, I suggest that there are reasons also not to assimilate. For example, why bother? I might be an Aurelie on paper, but in person, I look like a Khadija.

More importantly, is face veiling a "religious" question alone? Esp. when religion is clearly also political and social and economic. It seems worth asking why these women (and men, for that matter, b/c they are implicated in the move toward veiling, whether they force their wives and daughters and sisters or not), and why now?

In the context of post 9/11 fear of and discrimination against an American / European construction of "Islam," face veiling might seem not to make a lot of sense, for example, to my college students. As a matter of fact, I have to think that Muslim women who choose to veil are not motivated by what our so-called terrorism experts today term jihadist sentiment.

Rather, I think it is worth the attempt to understand what are the concerns in the communities where face veiling is emerging? Keeping in mind that discrimination, whether ethnic or religious, had been experienced long before 9/11. It might be that for young Muslim women, veiling represents opportunities, not the curtailment of them. Including the status, financial security, emotional stability, protection that frankly, traditionalist (or so-called traditional) marriage could allow.

What is face veiling in France or Belgium (or the United States) really about?

I wish more people with a public forum would ask this question instead of feeding of false answers. At least we have Katha Pollitt.